1. Jul 27, 2017  Multiplier music coaching/Skype lessons. Email multiplier@multipliermusic.com for info and pricing. How I Make Money in the Music Industry: https://multiplie.
2. OTT by XFER Records is a plug-in(VST, AU) available for free. OTT by XFER is a mirror of the very famous Ableton compressor set-up. OTT stands for ‘Over The Top’ and it is a 3 –band compressor which works upwards as well as downwards.
3. Hello everyone! As some of you may know, the vanilla multiband compressor in Ableton has some phase issues and colors the sound even on 0% mix. So I made a version using the EQ-8 and Compressor plugins that has correct phasing — better suited for master / mix busses. It's pretty faithful to the original OTT preset but has less upwards.

1. Ott Ableton Download Full

Jul 01, 2016  Hi, (first please excuse my approximate english) I'm new to mixing songs, and discover that when putting the OTT preset on the master and tweeking it a little, it get really punchy, and fat sound, it makes all my songs sound way better. But the thing is the sound do not breath anymore there is no more space and it fatigue the ears so much. 11 rows  OTT (VST AU AAX) for Mac OS X. 1.21b: fix for ProTools 10 OS X GUI not displaying properly.

In this article we’re going through the mastering chains of pro producers like Deadmau5 and Laidback Luke. We will also show you our PML Mastering Chain, made with Ableton stock plugins. These racks come in handy when polishing up your tracks - that’s why we have included them as a free download. Enjoy!

Deadmau5's Mastering Chain

1) LinEQ (Waves)

Low Cut: roll-off below 32HZ (depends a bit on input track)

Removing low frequencies we can hardly hear on most playback systems and gaining headroom for our other elements.

2) MStereoExpander

Widening the stereo spectrum of the track, achieving a richer stereo image.

34% Depth (in this case)

3) Xfer Records OTT

Multiband Compressor, Compressing our different frequency bands (low, mids, highs) with different intensities, depending on what the track needs

4) FabFilter Pro MB

Used by Deadmau5 as Dynamic EQ - for one band at 59.462 Hz, +3.42dB,

Usually is used as multiband compressor

5) FabFilter Pro-L

Allround Limiting (increasing general loudness of the track)

+13dB (track dependent), Attack 118 ms, Release 500 ms

6) L2 UltraMaximizer (Stereo Mode)

Additional subtle limiting (-2.1 Threshold)

(depends on the source track)

Laidback Luke's Mastering Chain

1) Ableton EQ8/FabFilter Pro-Q

Multiple instances for surgical and balance control over the frequency range. Settings vary from track to track.

2) Izotope Ozone 6 - Exciter

Slightly overdriving the higher frequencies for a 'crisp hihats' effect

Dual Triode Setting

Low Band: 0% Amount

Mid Band: 194 Hz - 3.97kHz. 0.7% Amount

High Band: 3.97kHz - 11.9kHz. 3.8 Amount

High Band 2: 11.9kHz - 20k. 6.6 Amount

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3) Ableton Stock Compressor

Compressor focussed on adding a bit of punch to the track:

Threshold: -2.07dB (depends on track)

Ratio: 9.14:1

Attack: 5.47 ms

Release: 37.4 ms

Dry/Wet 100%
Makeup Gain On

RMS setting

Lookahead: 1ms

4. Ableton Stock Chorus

Stereo enhancing for high frequencies. Therefore its highpassed:

Hipass setting at 1.93kHz

Amount 5.22 ms

Rate 1.67 Hz

Fix Mode

32% Feedback

Dry/Wet 15%

5. T-RackS Spectrum Analyzer

Analyses adjustments made before applying the limiter.

6. FabFilter Pro-L

Brickwall limiting at the end

PML „Ableton Only” Mastering Chain

When “mastering” on this basic level, we are trying to accomplish 3 things:

- balance the mix

- clean up resonance

- add loudness (punch) to the track

EQ8

Lowcut - This EQ is operating in mid side mode. We are cutting out frequencies below 100hz on the side and freqs below 35 hz in the mids. That way we have a clean low cut and our bass is operating in mono

Glue compressor

We are catching some of the peaks over the entire frequency range

EQ8

We are flattening out some unwanted resonances

Multiband Dynamics

We are balancing the low, mid and highs with 3-band multiband compression

Compressor Punch

We are adding punch to the mix, emphasizing the dynamics

Compressor Sustain

We are flattening out the mix a little bit (in order to be able to make the sum louder in the end)

EQ8

Final touches, we are pulling up the bass a bit and adding a little bit of brilliance in the top end

Limiter

We are increasing the loudness of the sum of our track. Note: don’t push it too far, Ableton’s limiter starts distorting the sound quite quickly.

Of course, this chain has its limitations - but we found it a good way to start with a basic master for your Ableton productions. Make sure you adjust the loudness of your mix before entering the chain. If the mix plays at low volumes, add a utility in front of the chain an turn up the level to get the chain compressors working - if its getting too heavy - turn it down a tad.

Author: k-pizza

I’m a music maker who likes to share his experiences with other producers. I regularly show up with tutorials, articles & project files at PML.

Skype lessons with me: http://bit.ly/pml_s_one2one

More articles on Mastering:

More Info: Grab a free Ableton-only Mastering Chain from ourFreebie section 5h+ Online MASTERING COURSE (from start to finish)

Keywords: Mastering with Izotope Ozone, LUFS vs dbFS, Fab-Filter Saturn, Mastering with Fab-Filter only, Mastering with Ableton only, Fletcher-Munson Curve, Mastering Chain Blueprint

Hi,
(first please excuse my approximate english)
I'm new to mixing songs, and discover that when putting the OTT preset on the master and tweeking it a little, it get really punchy, and fat sound, it makes all my songs sound way better.. but the thing is the sound do not breath anymore there is no more space and it fatigue the ears so much.
I wanted to know how to reach a similar effect but more subtle, with more space, less overcompression (ps: i'm not doing electronic music, more like 'pop' songs)
I'm aware it's not by just putting just one plugin on the master bus but how just one plug can change everything and make it so much better, what's the secret, should i use it on very low dry/wet % on each separate tracks to clear and boost some frequencies ? Is it okay to put this OTT on the master ? How does it works ?

Ott Ableton Download Full

Thank you!